The International Typographic Style of 1950s Switzerland: mathematical grids, asymmetric composition, sans-serif type, and photography over illustration. Design as objective information.
Set the conference site Swiss: strict grid, flush-left type, one accent color, zero decoration.
Swiss Style is the belief that clarity is a moral position: the designer as neutral conduit, the grid as constitution. It is also the unacknowledged house style of the web. Flush-left sans on a column grid is what CSS wants to do anyway. The tell of real Swiss work isn’t Helvetica; it’s restrained asymmetry: tension held on purpose, never centered into peace.
The canon is small and worth reading first-hand:
Hustwit’s trailer makes the argument in ninety seconds: